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All Jean Baptiste Camille Corot Oil Paintings


 
 
 Jean Baptiste Camille  Corot Woman in Blue oil painting reproduction


Woman in Blue
1874 Musee du Louvre, Paris
Jean Baptiste Camille Corot8.jpgPainting ID::  479
 

 

 
   
      

All Edvard Munch Oil Paintings


 
 
Edvard Munch Woman in Blue oil painting reproduction


Woman in Blue
1921
Edvard Munch14.jpgPainting ID::  2815
 

 

 
   
      

All Paul Cezanne Oil Paintings


 
 
Paul Cezanne Woman in Blue oil painting reproduction


Woman in Blue
mk65 ca.1899 Oil on canvas 35x28"
new3/Paul Cezanne-946479.jpgPainting ID::  29355
 

 

 
   
      

All Thomas Gainsborough Oil Paintings


 
 
Thomas Gainsborough Woman in Blue oil painting reproduction


Woman in Blue
mk86 before 1780 Oil on canvas 76x64cm St Petersburg,Hermitage
new9/Thomas Gainsborough-995832.jpgPainting ID::  33817
 

 

 
   
      

All Jean Baptiste Camille Corot Oil Paintings


 
 
Jean Baptiste Camille  Corot Woman in Blue oil painting reproduction


Woman in Blue
mk87 1874 Oil on canvas 80x51cm Paris,Musee National du Louvre
new9/Jean Baptiste Camille Corot-874975.jpgPainting ID::  33874
 

 

 
   
      

All Jean Baptiste Camille Corot Oil Paintings


 
 
Jean Baptiste Camille  Corot WOman in Blue oil painting reproduction


WOman in Blue
mk156 1874 Oil on canvas 80x50.5cm
new16/Jean Baptiste Camille Corot-488454.jpgPainting ID::  40758
 

 

 
   
      

All Jean Baptiste Camille Corot Oil Paintings


 
 
Jean Baptiste Camille  Corot woman in blue oil painting reproduction


woman in blue
1874 paris, louvre
new22/Jean Baptiste Camille Corot-979529.jpgPainting ID::  64371
 

 

 
   
      

All Pierre Renoir Oil Paintings


 
 
Pierre Renoir woman in blue oil painting reproduction


woman in blue
1877 the reader'sdigest, pleasantville, n. y
new22/Pierre Renoir-452699.jpgPainting ID::  64374
 

 

 
   
      

All pablo picasso Oil Paintings


 
 
pablo picasso woman in blue oil painting reproduction


woman in blue
1901 madrid, museo nacional de arte contemporaneo
new22/pablo picasso-934795.jpgPainting ID::  64379
 

 

 
   
      

All Thomas Gainsborough Oil Paintings


 
 
Thomas Gainsborough Woman in Blue oil painting reproduction


Woman in Blue
Oil on canvas 76 ?? 64 cm (29.9 ?? 25.2 in) cjr
new24/Thomas Gainsborough-737975.jpgPainting ID::  77571
 

 

 
   
      

All Thomas Gainsborough Oil Paintings


 
 
Thomas Gainsborough Woman in Blue oil painting reproduction


Woman in Blue
Oil on canvas 76 x 64 cm (29.9 x 25.2 in) Late 1770s - early 1780s cjr
new24/Thomas Gainsborough-897667.jpgPainting ID::  79528
 

 

 
   
      

All Thomas Gainsborough Oil Paintings


 
 
Thomas Gainsborough Woman in Blue oil painting reproduction


Woman in Blue
Oil on canvas Late 1770s - early 1780s 76 x 64 cm (29.9 x 25.2 in) cjr
new24/Thomas Gainsborough-844535.jpgPainting ID::  79602
 

 

 
   
      

Thomas Gainsborough
  
1727-1788 British Thomas Gainsborough Locations English painter, draughtsman and printmaker. He was the contemporary and rival of Joshua Reynolds, who honoured him on 10 December 1788 with a valedictory Discourse (pubd London, 1789), in which he stated: If ever this nation should produce genius sufficient to acquire to us the honourable distinction of an English School, the name of Gainsborough will be transmitted to posterity, in the history of Art, among the very first of that rising name. He went on to consider Gainsborough portraits, landscapes and fancy pictures within the Old Master tradition, against which, in his view, modern painting had always to match itself. Reynolds was acknowledging a general opinion that Gainsborough was one of the most significant painters of their generation. Less ambitious than Reynolds in his portraits, he nevertheless painted with elegance and virtuosity. He founded his landscape manner largely on the study of northern European artists and developed a very beautiful and often poignant imagery of the British countryside. By the mid-1760s he was making formal allusions to a wide range of previous art, from Rubens and Watteau to, eventually, Claude and Titian. He was as various in his drawings and was among the first to take up the new printmaking techniques of aquatint and soft-ground etching. Because his friend, the musician and painter William Jackson (1730-1803), claimed that Gainsborough detested reading, there has been a tendency to deny him any literacy. He was, nevertheless, as his surviving letters show, verbally adept, extremely witty and highly cultured. He loved music and performed well. He was a person of rapidly changing moods, humorous, brilliant and witty. At the time of his death he was expanding the range of his art, having lived through one of the more complex and creative phases in the history of British painting. He painted with unmatched skill and bravura; while giving the impression of a kind of holy innocence, he was among the most artistically learned and sophisticated painters of his generation. It has been usual to consider his career in terms of the rivalry with Reynolds that was acknowledged by their contemporaries; while Reynolds maintained an intellectual and academic ideal of art, Gainsborough grounded his imagery on contemporary life, maintaining an aesthetic outlook previously given its most powerful expression by William Hogarth. His portraits, landscapes and subject pictures are only now coming to be studied in all their complexity; having previously been viewed as being isolated from the social, philosophical and ideological currents of their time, they have yet to be fully related to them. It is clear, however, that his landscapes and rural pieces, and some of his portraits, were as significant as Reynolds acknowledged them to be in 1788.
Woman in Blue
Oil on canvas Late 1770s - early 1780s 76 x 64 cm (29.9 x 25.2 in) cjr

Related Paintings to Thomas Gainsborough :.
| Giuseppe Maria Crespi -- Aeneas, the Sibyl and Charon | Peter Paul Rubens - Portrait of Jan Vermoelen, 1616 | Portrait of John Everett Millais by William Holman Hunt | Johan Barthold Jongkind, Dutch (active The Hague, Paris, and Rotterdam), 1819-1891 -- The Artist House, Maassluis | Girl portrait | | Portrat einer Zofe | Jacoba Bicker | Assumption of the Virgin | A Sunday Afternoon at the lle de la Grande Jatte | Operation |


        

 

 

 

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